The theme of syphilis in shakespeares measure for measure during the renaissance period

So I thought, once. So did we all. LeGuin, A Wizard of Earthsea Bybored, lonely, in the throes of midlife crisis, Oxford turned first to one, then the other, of the only two people who seemed to care for him any more, his mistress, the poet musician Emilia Bassanoand his new patron, the teenaged Henry Wriothesley pron. Bereft of his patrons and his audiences, he had no one left to please but these two young people——and himself.

The theme of syphilis in shakespeares measure for measure during the renaissance period

Syphilis, the primary and most horrible of venereal diseases, ran rampant in Shakespeares time. By giving a brief history of the disease in Renaissance Europe one can gain a better understanding of the disease which will provide a greater insight into the play which would have gone unknown.

This brief history will include, the severity of the disease in fifteenth and sixteenth century Europe, believed origins and symptoms of the time period, and methods of curing or combating the disease. By reading and analyzing passages referring to syphilis in Measure for Measure it is clear that Shakespeare himself believed in most of the truths established by the poet and physician Fracastor.

Fracastor was the primary source and influence regarding studies of syphilis in Renaissance Europe. The disease we now commonly identify as syphilis is believed to have arrived in Europe for the first time in the late fifteenth century.

Though there are few statistics from that period available to prove such an argument, there is plenty of evidence that supports that the disease suddenly emerged in great abundance during this time period.

It is also believed that syphilis was much more severe then, than it has ever been since. Zinsser writes in his book, Rats, Lice, and History that: There is little doubt that when syphilis first appeared in epidemic form, at the beginning of the sixteenth century, it was a far more virulent, acute, and factual condition than it is now Rosebury The first time syphilis, called evil pocks at the time, was mentioned in print occurred on August 7, in the Edict of the Holy Roman Emperor Maximilian.

In this document syphilis was believed to be a punishment sent from God for blasphemy and was described as something which had never occurred before nor been heard of within the memory of man Rosebury Between the years and there were a total of nine similar documents that emerged through out Western Europe.

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The main character was a shepherd in Hispaniola named Syphilis. Syphilis caught the disease for disrespecting the Gods. At the time Fracastor believed in the previous documents, but would provide his own original ideas concerning how the disease reached Europe.

The theme of syphilis in shakespeares measure for measure during the renaissance period

He also alluded to possible treatments, that Shakespeare will later use in his plays. Fracastor used the name syphilis for both the main character and the disease he contracted. However, the name of the disease continued to be known as the French disease.

It was not until the s, more than three centuries after Fracastors poem, that the disease was called syphilis. Fracastors poem grew widely popular in Western Europe, and was believed to be mostly factual at the time.

It might seem odd that a fictional poem with fictional characters would be widely regarded as truth, but under the extreme circumstances of the sixteenth century syphilis epidemic it makes perfect sense. Syphilis had caused terror in the hearts of the people in the sixteenth century due to its rapid spread.

Physicians seemed helpless to cure it. No one could do anything, but believe in what Fracastor wrote. In the poem Fracastor had answers concerning its origin, symptoms, and cure for this new disease.

He went along with the common belief that it appeared in the French army before Naples around the year From France, and justly took from France his name, Rosebury This quote provides the evidence concerning syphilis former name, The French Disease.

He also discussed how he believed that it originated in America, and was brought back with Columbus and his men. This was the popular view of the day, and many researchers still find truth in it. What Fracastor truly believed, at the time, was that the positions of the planets influenced the outbreak of the disease.

He believed that they lined up in such a way that provided great conditions for the emergence of the disease. In the poem Fracastor also.While many passages in Shakespeare's plays are written in prose, The plays during this period are in many ways the darkest of Shakespeare's career and address issues such as betrayal, murder, lust, power and egoism.

Measure for Measure PP; The Comedy of Errors; Much Ado About Nothing; Love's Labour's Lost;. Shakespeare's dramatic output has been extensively researched in English-speaking academia, but few attempts have been made to situate it in its wider European context and more specifically in relation to the drama of the Spanish Golden Age.

This. Find free memory essays, term papers, research papers, book reports, essay topics, college essays, argumentative essays, persuasive essays Syphilis In Measure For Measure Syphilis in Renaissance Europe and in Shakespeares Measure for Measure Bibliography to venereal disease appear as early in the second scene of .

Macbeth Macbeth In Shakespeare's tragedy, Macbeth, the characters and the roles they play are critical to its plot and theme, and therefore many of Shakespeare's characters are well developed and complex.

Two of these characters are the protagonist, Macbeth, and his wife, Lady Macbeth. HIS LIFE IN A NUTSHELL: The Shakespeare years World weariness and sadness tinge the plays rewritten during this period: Measure for Measure, Merchant of Venice, Antony that there was a sizable community who loved and respected Oxford for his contributions to the English Literary Renaissance is almost as tough a claim as is his.

Although Measure for Measure is ostensibly set in Vienna, it actually reflects the legal system in England at the time. The audience learns that there is a system of local constables and that penalties for breaking the law involve whipping, imprisonment and beheading.

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